Namibia has a 15-year vision and five-year national plans. HPP II is the deliberately small instrument meant to make them move.
Section
Intellectual
Rights That Travel: What a UK-Published Namibian Book Means for Copyright
A giraffe story is also a parcel of protected rights, and those rights now travel.
Who Owns the Seed: The IP Gap Beneath Eos’s Climate Farm Fund
The fund backs drought-adapted crops and better seed. Namibia has not yet written the law that says who owns the improvement.
The Founding Statement Test: How the Grant Makes BIPA Registration the Ticket In
To claim the N$15,000, a founder must first exist on paper, and that requirement does quiet work of its own.
Rights on YouTube: What Self-Distributed Namibian Film Owns and Risks
A film given away free is still a rights decision. Ownership, not the upload, is what lasts.
One-Stop, In Theory: What the Evidence Asks of Namibia’s New Investor Board
The single-window investment agency is a well-studied idea. The research is clear about which versions work and which merely rebrand.
Imported Mark, Local Shelf: The Brand Assets Exclusive Books Brings to Windhoek
The store crosses the border as a trademark and a format – and it can turn Namibian authors into rights.
A First Awards Night: The Quiet Institution-Building Behind Startup Visibility
The prize is small; the precedent is not. A first national awards is an institution trying to be born.
From Radio Play to Feature: Who Owns the Story Rights Inside Hairareb
The film is the visible product; the chain of adaptation rights behind it is the durable asset.